Archive for September, 2005

Chin Music, Broken Dishes, Super Models in Rehab, and You Expect to Get Any Work Done?

Friday, September 30th, 2005

William Bennett, morality czar, has taken a page from the Pat Robertson playbook. Pat wondered aloud why we couldn’t bump off Hugo Chavez, czar of Venezuela, Socialist, Possible Opponent of Everything We Hold Sacred, as a kind of foreign policy adjunct, a little bit of chin music for foreign leaders. Bennett, champion of goodness, no friend of libertines, remarked that the crime rate would drop if all black babies were aborted. As we stagger backward from that comment and consider Bennett’s position of influence, former Drug czar, Secretary of Education, and his close geographic proximity to the corridors of power, it really is difficult to imagine what he was thinking on his radio show. And, just for the record, Bill, if all babies were aborted the crime rate would go down.

This is a new twist on the concept of Original Sin. Maybe Bill was thinking that newborn African Americans could simply be charged with a felony as they draw their first breath. Later, when they’re old enough, they could be executed in Texas or knocked off by assassins from Pat Robertson’s teams of hired guns. Or drown in New Orleans. Jesus, hide your eyes.

I have a Character Named Tubby in My Novel but I Haven’t Seen Any Money

Wednesday, September 28th, 2005

Booksquare has a story about a lady who paid six thousand dollars at auction to have her name be a character’s name in Michael Chabon’s forthcoming novel. A Florida woman paid 25,000 dollars to be in the next Stephen King, hopefully not a rewrite of Carrie. For that kind of money she should be depicted as a combination of Helen of Troy and Mother Teresa, violent but spiritual, lovely but compassionate, a friend to manatees, hobos, toothless ex-hockey players, revered by entire coastal townships. Let’s hope she doesn’t hobble a writer, lash him to a mattress, and force him to write happy endings. She certainly should not be incarcerated, awaiting execution, with swarms of bees flying out of her mouth. Maybe Michael Chabon was a safer bet, a superior investment, even though that lady has foresworn bathroom remodeling in exchange for literary immortality.

One of the characters in my novel, An Aztec in Central Park, not available in stores due to a vast conspiracy, is named Tubby Ingram. If your name is Tubby Ingram, Tubby, or Ingram, go ahead and send me money. That way when editorial changes come down the pike, as they might, you can rest assured that Tubby won’t be shit canned in a flurry of last minute changes. Your name here.
Think about it.

When A Hard Rain Began to Fall

Wednesday, September 28th, 2005

I had the chance to watch Martin Scorcese’s Bob Dylan film last night. One of the most interesting element is Dylan’s transition from folk and protest to what his aggrieved aggregation of surrogate moms, dads, aunts and uncles called RocknRoll. Acoustic versus electric. Woody Guthrie and Pete Seeger were Dylan’s heroes, but when he said he wasn’t gonna work on Maggie’s farm no more, he meant every word.

Scorcese mentions in the interview after the show that he hadn’t heard Dylan prior to 1966, that growing up on the Lower East Side, he was pretty much a Top Forty guy until Like A Rolling Stone hit the airwaves. For AM deejays of the era, it was the beginning of the end. Stepping on Herman’s Hermits was one thing: cutting Dylan off in the middle for a commercial exposed them to a backlash so swift and complete most of them were out of work within twenty four months. Gone forever.

The cultural seeds were sprouting. In 1966 a citizen of these United States might pass through the musical triage of Jerry Vale and Jack Jones, Old Blue Eyes, Mitch Miller and his Orchestra, down the tranquil halls of Lawrence Welk before discovering Johnny in the basement mixing up the medicine. Balloons were popping, ideas fermenting. An entire generation of performers washed ashore in Vegas to become a colony stranded in sequined isolation, frozen in permanent self-parody, finger popping in fuschia tuxedos. Scorcese called it a time of innocence, but like Ophelia ‘neath the window, fans and music lovers had heard something they’d never heard before.

Agent Blogs: Andrew Zack, Agent 007, Ms. Snark

Tuesday, September 27th, 2005

Good morning from the west country. This is the Forty Third Earl of Watership Down, “guest blogging” for Thayer. I must say that I enjoy the tone of this blog when I’m doing the writing as opposed to Thayer. Not to become enmeshed in controversy like the unfortunate Jude Law or more recently that supermodel caught ingesting powder cocaine. In flagrante on the front pages of those hideous tabloids.

As you know I’ve been sedulous in my efforts to finish my manuscript An Heiress In Aspicmy Regency Romance. As I approach the finish line my thoughts turn to representation. My examination of the publishing business indicates that I must secure the services of a literary agent in order to achieve publication by a reputable firm. Frankly I was a bit stunned to discover some agents blogging as I imagined them as creatures far above the madding crowd, removed from the tendentious ebb and flow of the unwashed. I prefer to think of them in a clean well lighted place seated in a club chair, faithful retinue awaiting the delivery of An Heiress in Aspic by special messenger. There, for example, might be Andrew Zack, noting my strict adherence to his manuscript preparation guidelines. Thrilled by my attention to detail, Mr. Zack opens my pages with that tremor of anticipation wherein he cries out “never have I seen such double spacing.”

Or, perhaps, 007 weary at the end of a long day, reluctant to risk disapointment yet again, soothed by the jasmine scented double weight bond paper and my yellow discs known as ‘happy faces’ weeps for joy as my protagonist, Lady Gwendolyn, is set upon by irrational Frenchmen at the Bastille?

Now, a newly hatched snarkling, I can only extend the olive branch of superior craftsmanship as my manuscript contains numerous sentences and paragraphs that reduce readers to tears; some of it has been read aloud to the Bath & Devizes Ladies Book Association. When Lady Gwendolyn defeats the Napoleonic hordes at the very gates of Penzance, Miss Snark, the audience wept.

Thank you so much for your kind attention, TTFN, The Forty Third Earl.

In Praise of Famous Men

Monday, September 26th, 2005

There a couple of new biographies of James Agee out and about. John Leonard’s essay in the Sunday NYT focused on Agee’s damaged life and long term working relationship with periodicals owned by Henry Luce. Leonard includes some sordid details about failed marriages, days as a Hollywood hack, shots at the man’s poetry and status as inveterate smoker.

Agee’s Let Us Now Praise Famous Men was released in 1941. I read it early in life, late teens, and thought it was an impressive piece of work. I was so very wrong, according to Leonard, who seems to enjoy reminding us how dissolute a life Agee scraped out while smoking and drinking up a storm. With the exception of his film critiques, Leonard keeps Agee propped up against the ropes in order to beat the man senseless with a series of jabs. Did I mention that Agee smoked?

I think it’s possible for readers to appreciate the works of dissolute people without mimicking their private behavior, without abandoning their value system for a Hollywood Babylon lost weekend that stretches into years. Leonard hones in on Agee’s review of Lost Weekend, a film released in the late Forties that is as brutal a look at alcholism as the more modern Leaving Las Vegas. Leonard sneers at Agee’s take on the film, his ability to analyze an alcholic’s ferocious appetite for destruction. Leonard seems to think that Agee should have seen enough in black and white for a Holywood moment of crystalline epiphany, cast the bottle aside and ridden into the sunset, twelve stepping his way to freedom.

If Leonard wanted to mourn the waste of Agee’s life, his lost potential, his squandered talent, that would have cast the essay in a different light. Leonard’s essay adds to the body of work devoted to drinking and writing, the litany of fallen idols a mile long. Agee died in 1955 at the age of 45, having lived longer than Dylan Thomas, Jack London, or F.Scott Fitzgerald, to name a few. Thomas did a lot of his drinking in New York, at the White Horse on Hudson Street, a place that is still open for business the last time I looked. Pete Hamill wrote eloquently on the subject of his own battle with booze in A Drinking Life.

Leonard’s essay is written from the current perspective; one that suggests that armed with warnings from the Surgeon General, artists and writers of today can look down their noses at the ignorant denizens of a by-gone age. The writer’s job is to see “the boys of summer in their ruin.” Men like Agee, Thomas, and Hamill did that, suffering the consequences of insights both hard earned and frightening.

Action Sequence: Thirty seconds, people

Sunday, September 25th, 2005

Previously on One More Bite of the Apple: a ramble in the Bramble. Gaius and Woody, fearing discovery, flee on foot across Central Park West, pausing as they enter Strawberry Fields to smell the flora. The sounds of close pursuit alert them to the need for haste, and soon they find themselves on the Bow Bridge marveling at the structure’s perfect symmetry, the way it frames the soft harmony of the lake, the gentle caresses of water on the raucous shore. Refreshed, they flee, not pell mell, but at a swift jog, between the pale fists of rock, the heather landscape…

Cut. Okay, look, this is an action sequence, right? All the crap about the bridge, the symmetry, the water, what’s that? Pale fists of rock? Let’s take it again from the moment the two guys run across CPW; I want Woody to roll up onto the hood of a taxi…we see the driver’s eyes, his silent scream, lips parted as though offering a prayer to an Unseen Deity. In the Squad Room, Lt. Maris Polo, her obsidian eyes flashing with rage, takes command of the chase. She leaps from the still moving squad car, into Strawberry Fields, pausing for just a short beat to tenderly regard the season’s burgeoning glory…

Okay, you’re fired.

No wait, she steps on the plant right after gazing at it. Her boot twists the stalk…

Okay, you’re hired again.

Trials and Tribs, Prisoner of Own Device

Saturday, September 24th, 2005

These categories into which the blog is divided, these chains, these closely related yet dissonant thematically questionable little jeopardy cascades have me worried. The software, the hidden engine under the hood, stands ready to accept more categories, countless in their variety, infinite in scope, limited by the meager ability of this blogger to think up any more of them and then find jeopardy answers to be posited in the form of questions. Where’s the drama, where is the moment of truth, when the contestant on the far right smiles and blurts out “the colossus at Rhodes”?

I turn in my hour of Geraldo laden internal repartee, thinking headlines, oozing with ink. Except they don’t ooze anymore; they used to, I can assure you of that. Get a story, a juicy one, scandal, storm, drug addled super model, enchantment, lost horizons, deadlines and yes, oozing was all part of the experience, fingers darkened by printers ink so fresh as to be transferable to the sticky fingers of the reading public, the anxious fresh faces throwing their coins at the swarthy guy from somewhere else, note his sublime indifference to the fuss and bother, provided, of course, you have exact change.
And with exact change, armed with it, because the super model crisis waits for no one, you leave your place of residence, the rezidentura, with the precise amount of coinage necessary to read all about it.

There’s no oozing here. No rush to the corner where the five star edition, hurled from a passing truck, has yet to be unbound by the swarthy guy from somewhere else, yet to spill free from the brutal constraints of barbed wire, trapped and crushed, front to back, while he dawdles the supermodel situation is getting out of hand, the story growing, you have exact change, he can’t find his wire cutters, and the entire enterprise shudders to a halt while he rummages around? Where’s the drama?

Let’s See How This Baby Handles Underwater

Saturday, September 24th, 2005

The Seattle Times reports that a woman test driving a Buick was rescued by Bellevue Fire personnel after she drove the car into a swimming pool. The firemen used axes to reach her through the car’s sunroof. The account is somewhat vague about how the twenty year old driver managed to locate a pool stating only that she confused the brake with the gas pedal. It’s also unclear whether she liked the car.

CNN’s Anderson Cooper has developed hurricane proof hair. While reporting to Aaron Brown, Cooper’s hair displayed few signs of stress during Rita’s high winds. To be fair and balanced, Geraldo Rivera’s mustache came through Katrina quite well as did Wolf Blitzer’s beard. Network officials are working on composite hair, beard, and mustache ideas for reporters in extreme weather. My thought is to have Aaron Brown subjected to a wind machine while he’s warm and dry in the studio. His hair seems to be neat and organized, but it hasn’t been tested.

Book Reviewing

Thursday, September 22nd, 2005

Maybe you’ve noticed the diminishing space devoted to book reviews in newspapers and periodicals. Some of the slack has been picked up by bloggers, but there’s great debate about whether reviews from any source make a difference in reaching an audience. I think there is a more fundamental problem in play, something more basic than vanishing review pages. The audience is confused. They don’t know what to buy. It’s bad enough for non-fiction titles, but for novels it has become the Gordian Knot.

Tess Gerritsen posted an anecdote about a book signing at Kroger’s in Cincinnatti. She was approached by a woman who seemed dismayed to discover that Tess wasn’t Robin Cook. “I won’t buy a book by someone whose name I don’t know.” There are many ways to play the bounce here. First of all, this lady, this reluctant experiencer of books, may have gone to Krogers to buy groceries. And, you might think that being face to face with Tess Gerritsen, a discerning shopper would suspect immediately that she is not Robin Cook.

The lady in Cincy is the inamorata of marketing departments everywhere. We want to sell her things, and, when it comes to books, we want her predisposed to slapping down her plastic. She is the elusive target of branded books. She doesn’t need book reviewers. But does she represent a target rich environment? Should publishers be chasing her in the first place?

Reviewers are the new Alexanders, required to solve the puzzle before setting pen to paper. Anyone can read a book, enjoy it or set it aside, but the reviewer has more to do. Step one is to figure out if they want to read the novel in the first place. This obviously excludes the paid reviewer who has to read the book. At this point the reviewer is in the same boat as a bookstore browser. An awful number of steps are involved, beginning with the cover art. Images are suggestive, triggering visceral reactions that defy rational explanation. I can tell you from experience that it is more difficult to review a book whose cover art puts me off. That makes no sense. Like the lady in Krogers I want reassurance, moral support, certainty, but unlike the lady in question, I will read people I’ve never heard of. In fact, I’m inclined to be more open-minded about unknown authors than established ones. Branded authors disappoint avid readers so routinely now that a backlash has formed, a wall of skepticism that borders on irrationality. And so the reviewer is caught between the opposing forces of marketing heft and their own preferences, between what is available and what they might wish for. That’s a cleanup on aisle nine.

Hot Buttons

Thursday, September 22nd, 2005

There are issues that matter to each of us in a way that is unique, even peculiar to the individual. Booksquare seethes when female porn is discussed, ie, that romance novels appeal only to the prurient side of a reader’s imagination. I don’t blame her. Calling romance porn is the sort of ankle biting approach the president and his cronies employ. Remember global warming? The Kyoto Accords? Warmer oceans, bigger, faster, meaner hurricanes? Okay we’re approaching one of my hot buttons: demonizing ideas, emotions, human nature in this game of moral superiority for purposes of acrruing power. What really pisses me off is that it works. It works so well that President Bush fell asleep for Katrina, thinking a pious homily on the nature of sin would probably fill the need for comment in the aftermath. Nawlins feels the wrath of God. Turns out that God wears a windbreaker and a FEMA ballcap and creates rules for refugees involving two forms of picture ID.

Weak thinking eg female porn goes unchallenged. It is cumulative, like arsenic in the bloodstream. From stem cell research to respecting individual boundaries there is an institutional disregard for the fruits of thought, research, argument, logic, and reason. Into the void comes the canned heat of telegenic spin, bread and circuses, unenforceable laws, fear, guns, broken levvies, and a social contract ankle biters are rewriting just as fast as they can.