Archive for March, 2006

This is the Earl Reporting

Wednesday, March 15th, 2006

So many of you have written in to ask why I’ve not been blogging of late. I’m touched by the outpouring and quote here from a letter a Mr. RJ Gasparini penned to your faithful correspondent: Dear Earl, I sent you my manuscript Eat Lead and Leave a while back. It’s better than SJ Rozan or Pelicanos or the guy who quit writing crime novels to write sappy bullshit. Also my outline of Wednesdays with Manny. Whassamattayou?

Ah the vicissitudes of publishing RJ. Where to begin? While Eat Lead has many charms and a certain ring of authenticity I found the main character’s sexual exploits a trifle contrived. RJ has sex with fourteen women in the opening chapter, a deluge even Stuart Woods might find daunting. And I wonder if a claw foot tub is the proper venue for a menage a so many? One lover might have suited the story but the additional thirteen conjures doubt, the enemy of verisimiltude. Why do these women desire a man whose tire recapping business has gone bust?

If you’d read Voltaire’s Miasma my thoughts might take root with you RJ. Thank you for thinking of Wellington Leg Premier. As soon as your check clears I’ll have a better picture of our publishing schedule; perhaps deleting the phrase “claw foot” might solve the problem. TTFN.

Enid Rings the Bell

Tuesday, March 14th, 2006

Richard Curtis has the second installment of his series on the state of the publishing business. Curtis, a prominent literary agent, offers a substantial and depressing account of the business dating the current meltdown from the collapse of the paperback distribution system back in 1996. It’s grim reading but does not tell the informed insider anything new, it simply explains why the industry is so devoted to publishing high concept branded authors to the exclusion of almost everything else.

Between 1939 and 1996 paperback sales fueled a kind of fool’s paradise in publishing. Profits from the pocket sized books subsidized a whimsical acquisition process wherein no one was accountable for a book’s profitability. Now we’re at the other end of the spectrum where manuscripts are assigned P&L projections based on the corporate model of thinking. Corporate thinking is an exercise in arriving at a foregone conclusion without being fired; hence the introduction of ideas such as striped toothpaste. I like striped toothpaste. They knew I would.

Corporate thinking: here’s an exercise. You have a fairly idiotic novel submitted by strikingly handsome entrepeneur Miles Goodnight. Miles would be an ex-navy seal if the book featured navy seals or regular seals and would be marketed to current seals, their friends and families. Miles made a fortune in condo construction and has appeared Good Morning Akron. Miles is the complete package.

Cool novel submitted by Mrs. Enid Braithwaite of 34 Balmoral Drive Bonneville Ga. Enid is a good writer but to her lasting discredit is not a former navy seal, federal prosecutor, serial killer, or wonder weather girl on cable. Enid has no platform. This is the test question: which manuscript do we acquire?

Postscript: in an effort to launch her writing career Enid has joined the Navy. Now in command of a ‘boomer’ she isn’t sure if she’ll keep writing.

Greetings from the Outer Hebrides

Monday, March 13th, 2006

Hat tip to John Kirriemuir and the gang on the Isle of Berneray for commenting on my post Novel Swallows Author. John enclosed a link to the Isle’s main page which I encourage all of you, well, except John, to visit. Next we’ll visit Guernsey in the Channel Islands; I’m reading Ian Rankin’s Blood Hunt a perfect tie in for our Monday theme, wherein fun is poked at the publishing world, the blogging world, major league baseball and we wonder why the DEA doesn’t seize the cache of Robitussin PM concealed in the boot.

The reigning champion of Scottish crime fiction is Denise Mina. I know, you’re thinking Rankin or McCall-Smith or young Stuart McBride. But our advisors on Wall Street want controversy to drive page hits so this blog can be sold. They want hardhitting journalism. It doesn’t matter what I want, be it Nick Denton’s autograph or a new bathrobe, all anyone needs to become a citizen journalist. Ten million obo. Pounds sterling are acceptable.

Maureen Dowd doesn’t work here, but if she did, she’d be here on the first plane to Scotland to look into the explosion of crime fiction alluded to in the hardhitting paragraph above. It seems to me, the one left behind, the dogsbody of this operation, that a descent into bitterness is just a spoonful of Robitussin PM away.

I walked into the bookstore on Bainbridge Island this weekend and was having a good time until I saw James Frey’s book on display; that hand on the cover, those outstetched fingers are reaching for our collective throats or so it seemed to me. It’s a frightening cover and close by was Curtis Sittenfeld’s Prep with that belt. The pub world can look awfully menacing.  And we’re afraid of Google? Google should fear the belt.

Book Barrage

Wednesday, March 8th, 2006

I’m reading 42 books right now. Well, not right now. Sara Gran sent me Come Closer about a month ago, and she was nice enough to sign it. So I’m reading that. I read most of it all at once which is the way I read Dope. I slowed down with Come Closer, not because it’s slow, but because of my own work. I sent my manuscript to Bert and with it most of my active brain cells; hey, it was nice knowing you guys. Then Oprah called, and then I woke up, vowing to kick the Nyquil, cherry flavored controlled substance with fourteen active ingredients. Hell, I don’t have fourteen active ingredients.

More books arrived. Michael Koryta’s fine PI novel, Ian Rankin’s Blood Hunt which I’m tussling with, Robert Dugoni’s The Jury Master, The Renegades by Clive Egelton. And a Rhys Bowen title called Oh Danny Boy. Then Tom Delay won his primary and my head exploded.  I tried reading Come Closer but Sara Gran needs a different job description from Rhys Bowen or I need an ocean of Robitussin PM not to be taken in the AM or while studying CNN’s photo of Delay who resembles what I would imagine to be a human emerging from a car wash without a car. So shiny.

Here is what I did to prioritize: first I ended a phrase with a colon, a liberty I do not take lightly because list making is a character flaw and the colon does send a list making shot across the bow. Time check. PM. Good. I read a paragraph of The Jury Master after opening the book to page 287. Hmm, the jury is out. I will read The Renegades and Blood Hunt. Then I will circle back to Come Closer. Wait I have to take this call…it’s a telemarketer. Maybe I won something. A book?

A Bigger Picture of Literary Fraud

Tuesday, March 7th, 2006

Industries have a lot in common despite the belief in most boardrooms that their issues are unique. Everyone is trying to sell a product or a service to its customers. Everyone is dealing with competition, emerging technology, regulatory constraints. The business cycle, political upheaval, you name it. The temptation to cheat, to cut corners, and lie about it can be overwhelming; after all, companies are made up of people whose careers, hopes and dreams are riding on reports from the sales department.

Elliot Spitzer indicted the company I used to work for. They were accused of defrauding customers, large corporations, by concealing contingency agreements made with insurers. Sounds arcane, doesn’t it? It is. Bottom line, the company cheated their clients through manipulating markets; people went to jail. A billion dollars in reparations were made. This internal cutlure developed over two decades; scandals at Lloyds didn’t deter the executives who saw dollar signs.

I think of this everytime James Frey’s name is mentioned, not because I revel in the mess he created, but because I worry that the publishing industry is running headlong toward the edge of the cliff my former employer found irrestible. It’s one thing to package sensational stories between the covers of a book, but if that book is a fabrication, calling it a memoir is fraud. The big sales and book parties won’t be much consolation when the whip comes down. Ask the guys at the brokerage firms how real it feels when NYC detectives cuff you and drag you off to jail. For what? Lying a little? Yeah, for lying a little. Once an industry goes into freefall, there’s no bottom. Hit the brakes baby. That engine’s running hot.

In Her Shoes

Monday, March 6th, 2006

Due to the previous editor’s lack of insightful commentary the Big O has asked me to write a column on the state of crime fiction. I spent two hours watching In Her Shoes last night, so my mind is not on crime fiction but something more elusive. I enjoyed the movie. There are frightening scenes, the closet full of shoes, the cyncial girlfriend, the dog washing and subsequent kidnapping of said pooch. After years of being the target of marketing overtures and demographic questions  I’m an informed consumer.

Let’s deal with demographics: I’m a middleaged white guy. Not the target demographic for In Her Shoes. Life would be more exciting if I were not a middleaged white guy. Why? We don’t buy anything. Studies show that middleaged men have reached a precarious plateau losing cultural influence in huge chunks to their offpsring and contemporaries thereof. I don’t have an X box and worse, I’m not absolutely certain I know what an X box is. I don’t want one. Blame me if the economy tanks.

Watching In Her Shoes I’m intrigued by the story structure; the first thirty minutes are action oriented as Maggy malfunctions and her sister compensates. Back story is hinted at but not revealed, and the first act ends in a dramatic moment where a very plausible break is created between the principals. From dog washing to near rape at an impound lot Maggy is out of control while Rose adopts the adult role of exhausted guardian. When the story moves to Florida some fog rolls in and we are becalmed. Maggy begins to change while back in Philly Rose does too; the catalyst for all of this is their grandmother banished by dad after the death of his wife. The story becomes a study in sharing grief, blame, and guilt. Whose sorrow has priority when a woman dies? The kids? Her husband? Her mother?

There are elements in the film of chick lit formula, designed, I think, for commercial  purposes to signal the audience not to think twice, it’s all right. This is a serious story despite the unnuanced male roles and happy ending. Guys, you will enjoy the movie.

Sunday in Wellington Leg

Sunday, March 5th, 2006

Big changes in the wind here at the Druidical & Literary. Hi, I’m Wilfredo Tagesblatt the new editor in chief of One More Bite of the Apple. I was installed by Oliver Castinstone as part of a shakeup of his media empire; my background is in development. That’s where the action is. The paint isn’t dry on my parking space, but it reads Director of Development or it did until someone spray painted out several letters to spell dolt. I suspect the Earl had a hand in this. As you know we’ve canceled his weekly program on French Philosophy after determining that few members of the viewing audience had disposable income. Three were students and some of them were barnyard animals! I fail to see what interest a hog might have in Voltaire; the hogs were attentive however and generally well behaved.

To put my stamp on things I’m working with field reporters from the D&L most of whom file reports that are made up from whole cloth. For instance reports that Roman legions seized the local Costco are without merit; this sort of rumor mongering has no place in modern journalism. I’m on my way to Costco now…well, the road is blocked by felled trees. My driver, the unreliable Gerd, is listening to the Earl’s radio programme sponsored by The Earl’s Own Biscuit Treats. Okay Gerd claims that units from the Vicesima Claudia Legion are demanding a meeting with James Patterson. They think he’s our commander in chief. Blogging in situ…this is annoying.

New Feature: How Did it Go?

Saturday, March 4th, 2006

The blog is adding new feature as of this weekend. We invite attendees of writers conferences and literary events to tell us how they fared at the conferences. Conferences like SDSU in January and the San Francisco Writers Conference in February have wrapped up. Let us know how you enjoyed the events.

Historical Fiction

Saturday, March 4th, 2006

Max Magee at the Millions brought up the subject of historical fiction in a post last week. Jenny Davidson offered a serious list of books in the comments section. You can access the discussion via Metaxu Cafe or Scott Esposito’s Conversational Reading. Historical fiction is a huge area populated by numerous sub-genres that embrace traditional elements of adventure, romance, suspense, mystery and family saga. This does not begin to cover the waterfront; some historicals have teeth, big teeth, as in Count Vlad, dark antagonist of The Historian. Arturo Perez-Reverte has a series set in Spain during the Inquisition. Lewis Purdue has been writing thrillers with historical twists for years; I won’t mention Dan Brown.

I chose first century Rome as the setting for The Year of the Four Emperors. I’d read Tacitus years ago; his Annaleswas written in the last decade of the first century AD. My introduction to Roman history came in Latin class reading Caesar’s Conquests and Cicero. I enjoyed that stuff; other sources include Petronius, a contemporary of Nero and Josephus, author of The Jewish War. My protagonist, Troianus, is a veteran of Judea transferred to Spain in AD 68. He arrives just in time for the civil war between Galba and Nero. His love interest Liviana is a novitiate of Ceres; the religion of Rome included a tradition of female warriors that dates back to their struggles with the Etruscans. Liviana is an expert with a bow and arrow. The book’s climax involves the death of Nero reimagined to include Troianus and Liviana at the fateful moment. The novel covers the months between March and June of  that tumultuous year.

Hit Me With Your Best Shot but Wait Two Years

Friday, March 3rd, 2006

Okay you’re in a bar. It’s a working man’s bar, not a roost for fast trackers. You’ve got your butt on a cracked vinyl stool with a boiler maker in a front of you. The bartender is called Ernie. A ballgame is on but the TV is muted. There would be a haze of smoke but city ordnances forbid smoking. Drinking’s okay though. You get into an argument with a guy named Rafe who has had a few; Rafe’s a big guy and a loud mouth, a troublemaker. He says something like Dennis Lehane sucks; you call Rafe an ignorant lout. Rafe sez you suck you say he sucks Ernie sez knock it off.

Two years pass. Seasons change. If the bar had a calendar, pages would fall off. Ernie has a new haircut, a kind of weird white guy fade that makes his ears blow up like balloons, but he keeps Court TV on mute, otherwise that really loud lady would scare all the drinkers to death. Anyway Rafe ambles over and socks you in the nose and sez Dennis Lehane sucks. Huh? That argument ended in a draw two years ago. I was talking to Bert this morning and he told me we’d heard from an editor on a submission we made two years ago. The guy had some nice things to say about the submission but I’m thinking why did he wait two years. Ernie, explain this to me. Ernie?